Oenosthesia at MAXXI in Rome

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theindependentfoodJo Burzynska’s multisensory sound and wine work, Oenosthesia is being shown at Maxxi, The National Museum of XXI Century Arts in Rome. The work is presented under the umbrella of the gallery’s ongoing FOOD dal cucchiaio al mondo and is part of The Independent exhibition between October 27th and November 6th, 2015 showcasing the themes explored by the Interferenze Festival, for which Oenosthesia was originally created as part of an artist residency.

Developed on the basis of the project The Independent, dedicated to the mapping and presentation of independent spaces and thinking, this exhibition analyses the issues of food and nutrition, explored by the museum in the exhibition FOOD dal Cucchiaio al mondo.

The exhibition presents the interventions of three groups – Pollinaria, Aspra.mente and Interferenze – regarding three fundamental ingredients of the Mediterranean diet: wheat, tomatoes and wine. Each is added progressively to the other to produce a transparent palimpsest, visible in its entirety at the end of the project. A round table at the centre symbolically represents the convivial dimension within which the project exists. Each participating group has involved artists and architects to interpret the multiple and complex declinations of food: it becomes the vehicle for examining broader issues that affect the social, political and economic spheres of the present.

 

 

Oenosthesia in New Zealand

Oenosthesia is a ground breaking interactive exploration of sound and taste created by sound artist and wine writer, Jo Burzynska (aka Stanier Black-Five). This soundscape using her recordings of the vineyards and wineries of Irpinia in Italy, explores the significant way that sound influences the perception of taste through the combination of the changing timbres and frequencies in the piece with a selection of different wines from the region.

The work was created last year during Stanier Black-Five’s residency in Southern Italy, and is possibly the first piece of gustatory/sound art created both from and including wine. It was premiered at the Interferenze New Art Festival’s Factory of Art Rurality and Media 2012 (FARM2012) in Tufo, Italy and this programme is the first time the installation has been presented in New Zealand.

As a prelude to the evening, there will be a showing of “FARM – Factory of Art, Rurality and (New) Media”, directed by Interferenze Director, Leandro Pisano. This short film documents Stanier Black-Five’s project and the “Suoni dal confine” residency programme of which it was part, in which international artists were invited to embrace rurality in the creation of works of sonic art in the Italian countryside. She will then personally introduce the project, her own theories and the science of sensory interaction before those attending experience Oenosthesia. The installation lasts 25 minutes and includes tasting of three wines from Irpinia.

As well as working as a sound artist, Jo Burzynska is also one of New Zealand’s leading wine critics, writing a weekly wine column in the New Zealand Herald’s Viva magazine, as well as contributing to specialist wine publications worldwide. In recent years she has been exploring the synergies between taste and sound through her own research and hosting music and wine matching workshops. More information about Burzynska’s wine writing can be found at joburzynska.com

Oenosthesia is being presented at:

Audio Foundation, Friday July 19th, $10, 6.30 pm – booking essential

Physics Room, Saturday July 20th, Free, 6pm – booking advised

With thanks to Irpinia’s regional consortium of GAL Partenio, which sponsored the residency; Leandro Pisano for curating the residency and Terredora for providing the wines from Italy.